
If you happen to be in Moscow this May, take a chance to see breathtaking photoes of celebrities and top models taken by one of the most influential fashion photographers Paolo Roversi. His works are on display in the Manezh exhibition centre and are part of the Photobennale 2010 event. It may take you hours to go through the whole exhibition, as apart from admiring the outer beauty of these mostly monochrome polaroid shots, you are bound to stand in front of each of them engaged in inner conversation with the models. Natalia Vodianova, who seems to be his favourite model, and other celebrities seem to expose the depth of their soul. Roversi puts this down to the slow exposures of two or three seconds that he uses. Don't miss the show.
Paolo Roversi's triumphant presence in Moscow was not limited by the exhibition though. Below is the result of his colaboration with Vogue (Russia) magazine.

In a fashion shoot called 'Russia that we didn't lose' he and a famous British make-up artist Linda Cantello were inspired by the crative work of a famous Russian theatre impresario Sergey Dyagilev. 100 years ago this energetic man from a remote Russian countryside performed a revolution in the classical ballet, making it much more expressive and sensual. Roversi and Cantello aimed to create very provocative, intellectual and fashionable photos. Fashionable, indeed, as they are not the first artists to refer to the Dyagilev motives. Latest haut-couture shows in Paris payed tribute to the great master by including feathers (Jean Paul Gaultier), semi-transperent eye bandages (Valentino), white as a sheet make up (Armani Prive). However, great talent and great deeds never lose actuality.
Paolo Roversi's triumphant presence in Moscow was not limited by the exhibition though. Below is the result of his colaboration with Vogue (Russia) magazine.

In a fashion shoot called 'Russia that we didn't lose' he and a famous British make-up artist Linda Cantello were inspired by the crative work of a famous Russian theatre impresario Sergey Dyagilev. 100 years ago this energetic man from a remote Russian countryside performed a revolution in the classical ballet, making it much more expressive and sensual. Roversi and Cantello aimed to create very provocative, intellectual and fashionable photos. Fashionable, indeed, as they are not the first artists to refer to the Dyagilev motives. Latest haut-couture shows in Paris payed tribute to the great master by including feathers (Jean Paul Gaultier), semi-transperent eye bandages (Valentino), white as a sheet make up (Armani Prive). However, great talent and great deeds never lose actuality.














